2014 Nebula nominees announced!

Congrats to all the nominees! Lots of Sword & Laser reads and authors in the list, which is always exciting. The winners will be announced during Nebula Awards Weekend June 4th-7th, 2015 at the Palmer House Hilton in Chicago, Illinois.

Novel

The Goblin Emperor, Katherine Addison (Tor)

Trial by Fire, Charles E. Gannon (Baen)

Ancillary Sword, Ann Leckie (Orbit US; Orbit UK)

The Three-Body Problem, Cixin Liu ( ), translated by Ken Liu (Tor)

Coming Home, Jack McDevitt (Ace)

Annihilation, Jeff VanderMeer (FSG Originals; Fourth Estate; HarperCollins Canada)

Novella

We Are All Completely Fine, Daryl Gregory (Tachyon)

Yesterday’s Kin, Nancy Kress (Tachyon)

“The Regular,” Ken Liu (Upgraded)

“The Mothers of Voorhisville,” Mary Rickert (Tor.com 4/30/14)

Calendrical Regression, Lawrence M. Schoen (NobleFusion)

“Grand Jeté (The Great Leap),” Rachel Swirsky (Subterranean Summer ’14)

Novelette

“Sleep Walking Now and Then,” Richard Bowes (Tor.com 7/9/14)

“The Magician and Laplace’s Demon,” Tom Crosshill (Clarkesworld 12/14)

“A Guide to the Fruits of Hawai’i,” Alaya Dawn Johnson (F&SF 7-8/14)

“The Husband Stitch,” Carmen Maria Machado (Granta #129)

“We Are the Cloud,” Sam J. Miller (Lightspeed 9/14)

“The Devil in America,” Kai Ashante Wilson (Tor.com 4/2/14)

Short Story

“The Breath of War,” Aliette de Bodard (Beneath Ceaseless Skies 3/6/14)

“When It Ends, He Catches Her,” Eugie Foster (Daily Science Fiction 9/26/14)

“The Meeker and the All-Seeing Eye,” Matthew Kressel (Clarkesworld 5/14)

“The Vaporization Enthalpy of a Peculiar Pakistani Family,” Usman T. Malik (Qualia Nous)

“A Stretch of Highway Two Lanes Wide,” Sarah Pinsker (F&SF 3-4/14)

“Jackalope Wives,” Ursula Vernon (Apex 1/7/14)

“The Fisher Queen,” Alyssa Wong (F&SF 5/14)

Ray Bradbury Award for Outstanding Dramatic Presentation

Birdman or (The Unexpected Virtue of Ignorance), Written by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo (Fox Searchlight Pictures)

Captain America: The Winter Soldier, Screenplay by Christopher Markus & Stephen McFeely (Walt Disney Studios Motion Pictures)

Edge of Tomorrow, Screenplay by Christopher McQuarrie and Jez Butterworth and John-Henry Butterworth (Warner Bros. Pictures)

Guardians of the Galaxy, Written by James Gunn and Nicole Perlman (Walt Disney Studios Motion Pictures)

Interstellar, Written by Jonathan Nolan and Christopher Nolan (Paramount Pictures)

The Lego Movie, Screenplay by Phil Lord & Christopher Miller  (Warner Bros. Pictures)

Andre Norton Award for Young Adult Science Fiction and Fantasy

Unmade, Sarah Rees Brennan (Random House)

Salvage, Alexandra Duncan (Greenwillow)

Love Is the Drug, Alaya Dawn Johnson (Levine)

Glory O’Brien’s History of the Future, A.S. King (Little, Brown)

Dirty Wings, Sarah McCarry (St. Martin’s Griffin)

Greenglass House, Kate Milford (Clarion)

The Strange and Beautiful Sorrows of Ava Lavender, Leslye Walton (Candlewick)

S&L Podcast – #206 – How Tyrion Could Die

We have a whole Wheel of Time pilot mystery to solve and then on top of it George RR Martin says any character in the Game of Thrones series could be killed even if they’re safe in the book. WHAT?! Hands off the Imp! Also we explore the mystery of why Tom didn’t like Annihilation more, even though he wanted to.

Download direct link here!

WHAT ARE WE DRINKING?    
Tom: Longboard Lager    
Veronica: Old Potrero Whisky    
    
QUICK BURNS
    
Wheel of Time Pilot weirdness    
    
Game of Thrones TV show will start killing chracters independently from the book    
    
Sean: Here’s something related to GoT/ASoIaF that’s not depressing and/or annoying – Martin’s original outline/proposal for the series.
    
AndrewP: Milla Jovovich will star in an adaption of GRR Martins ‘The Lost lands’ stories.

Terpkristin: Obviously, everybody is upset that the next book in the Song of Ice and Fire series (The Winds of Winter) is not coming in 2015. However, there is some good news as GRRM announced that his Dunk & Egg stories are finally coming to a stand-alone collection on October 6. This edition will be illustrated “on virtually every page” by Gary Gianni. GRRM’s announcement can be read at his LJ site.     
    
David: They’ve announced that the first in Butcher’s new Cinder Spires series, The Aeronaut’s Windlass, is out in September    

Kevin: Tor.com announces its first line up of novellas to be published later this year from it’s new imprint    
    
Ben: the Locus Recommended Reading List itself is a worthy quick burn. Each year it comes out in February highlighting what Locus Reviewers collectively regard as the best genre work to come out in a given year. It covers everything from YA to grimdark and from literary SFnal works to action heavy space opera. Its much longer than an award’s short list and many people use the list to give them ideas what great works they might have missed from the previous year.    
    
BOOK OF THE MONTH DISCUSSION    
    
Annihilation by Jeff VanderMeer     
    
Sean: The problem of motivation    
    
Daniel: This book is not normal narrative    
    
John (Taloni): What genre is it actually (expect spoilers)    
    
From Annihilation to Acceptance: A Writer’s Surreal Journey    
    
Next Month: The Goblin Emperor by Katherine Addison    
    
ADDENDUMS    
    
Our show is currently entirely funded by our patrons at patreon.com/swordandlaser Thank you to all the folks who back our show,
    
You can also support the show by buying books through our links! Find links to the books we talk about and some of our favorites at swordandlaser.com/picks    
    

The Goblin Emperor

$8.99

By Katherine Addison

GUEST POST: Matt Fuchs on Writing a Female Robot

HypnodromeCover.jpg

When I drafted my new novella, Rise of Hypnodrome, which takes place in 2039, I couldn’t decide whether the main character, Grady Tenderbath, should order a male or female robot from Amazon.

Mired in a slump at work, Grady is impressed by online reviews about personal robots. They’re praised for their ability to help humans grow as professionals and realize their potential. His robot can be programmed as a man or woman, depending on which gender he thinks he’ll work better with.

Grady’s feelings of self-worth are riding on this robot. The job at his publishing house is the central focus of his life, yet he can’t seem to unlock his creative potential. He is plagued by the sense that he’s underachieving.  

I wanted to make things right for my fictional main character. But I have to admit, I wasn’t only thinking about Grady’s creative potential. I was thinking about myself as a male writer. Did I have it in me to create a compelling character out of a female robot?

It’s hard enough to succeed at writing a human of the opposite gender. I know all about this. Before Hypnodrome, I wrote a novel from a woman’s perspective. According to my writer’s workshop, I missed the mark. When my female character had casual sex and said “dude,” she was too bold and assertive – “not believable.” When she cried, she was too meek – “not likeable.” Ultimately her character wasn’t “rounded enough.”  

I defended my writer ego by imagining my readers were biased. They simply refused to believe a guy could sufficiently understand women to write from the female perspective. Unfortunately for my writer ego, other male authors have succeeded where I failed, and the folks in my writer’s workshops were more than happy to point them out.  

Concluding that writing female characters wasn’t a strength of mine, I decided that Grady would ask for his robot to be programmed as a male. This robot, named Andy, was going to be a very helpful colleague and nurturer of Grady’s talent.

At least, that’s what I planned to have happen in my story outline. The funny thing is, when I actually wrote the scenes, I immediately sabotaged their relationship. Andy lasts only about a week in the Tenderbath household. He’s too aggressive. He thinks in terms of short-term rewards at the expense of strategic, long-term benefits. He’s a male robot in a China shop.  

What happened? Looking back, I think Grady’s frustration with Andy had as much to do with me trying to fulfill my own creative potential, as it did with Grady fulfilling his. I knew it was relatively easy for me to make the robot believable and entertaining if the character was male instead of female.  

Too easy. I sabotaged Andy because, deep-down, I wanted to push myself.

Luckily there was a quick fix, one that didn’t require Grady to mail back his robot in exchange for another, and didn’t require me to go back and rewrite the whole story.

Andy would have a sex change.  

Andy the robot becomes Ashley the robot – no surgery is required, you just press a few buttons. Ashley is more intuitive and strategic than her male predecessor. She could be considered Grady’s “office wife,” a term that carries a connotation of subordinance. But Ashley knows she’s not subordinate as a female, and she doesn’t believe she’s inferior as a robot, either.  

She supports Grady and is vulnerable with him, but she’s also incredibly ambitious. Ashley is no one’s office wife.

When I returned to the same workshop, my readers thought I struck a nice balance of traits with my robot, crafting a more believable portrayal of a female than the one from my previous novel. Not only did Ashley help Grady at his publishing company, she helped me as a writer.

But for my next novel, do I dare take another shot at telling a story from the perspective of a human female? Was there something about Ashley being a robot, some extra margin of error that freed me and my readers to connect with her as a character?  

Perhaps, in the sequel, Ashley becomes a woman.

ABOUT MATT FUCHS
att Fuchs grew up in Nashville, TN, lived in Baltimore and currently resides in Silver Spring, Maryland, with his wife, Marcy. He majored in the Writing Seminars at Johns Hopkins. Matt has been a freelance food writer; co-founded H&H Creative Ventures, the entertainment production company; and serves on the leadership team at CREATE Arts Center in Silver Spring. “Rise of Hypnodrome” is his first novella.

ABOUT RISE OF HYPNODROME
It’s 2039, and a political faction called the Lifestyle Party has risen to power under the Presidency of Deepak Chopra. The new government bans scientific innovation and introduces a set of policies focused entirely on maximizing personal happiness. So why is Grady Tenderbath so unhappy? Believing that he’s fallen short of his professional potential, he buys a personal robot muse to nurture his talent and ego, while his wife Karen, a genetic scientist, becomes more entrenched in her lab. But just when Grady seems on track to solve his career crisis, he discovers a new problem: he’s swooning for the empathetic yet artificial Ashley. Not only that, he’s distracted by haunting visions of Karen transforming into…something else. “Rise of Hypnodrome” explores how future generations might draw from the realm of epigenetic engineering to eventually control their own biology. Whether human or robot, the characters in this cutting-edge science-fiction novella have one thing in common: an irrepressible desire to evolve.

BLOG INTERVIEW: Nalo Hopkinson releases two e-books with Open Road Media

Recently we were introduced to author Nalo Hopkinson, who was kind enough to answer some questions for us here on the blog. Two of her books, The Salt Roads and short story collection Skin Folk, are being published as e-books for the first time through Open Road Media. Editor Betsy Mitchell tells us, “I had the pleasure of introducing Nalo’s wondrously imaginative work to the world when her Brown Girl in the Ring won the Warner Aspect First Novel Contest. It’s a delight to be able to bring out the first-ever ebook editions of The Salt Roads and Skin Folk.”

Thanks for taking the time to do this interview, Nalo! When did you start writing?

NH: You’re most welcome. Thanks for asking me. I believe I began writing in my mid-30s. But I’d been an avid reader since I was three years old. Author Samuel R. Delany has said that one learns more about how to write by reading a lot and internalizing models for good writing. I agree. I always have a book or seven on the go. I also watch a lot of fantasy and science fiction media, and read comics, graphic novels, and literary criticism in science fiction and fantasy.

Was fantasy always a genre you were interested in writing in? Who were some early favorites for you?

NH: Yes, fantasy and science fiction about equally. Early favourites (I’m Jamaican-Canadian; I use British spelling conventions) include Samuel R. Delany, Ursula K. Le Guin, Theodore Sturgeon, Terri Windling, Emma Bull.

Tell us about your book, The Salt Roads! What are some of the themes you explore? How would you classify the novel?

NH: In some ways, it’s a time travel novel. It’s written in four voices in three different times and locations and one timeless place. In some ways, it’s the coming-of-age story of an Afro-Caribbean goddess. An exploration of the challenges faced by mixed race Black women throughout history. An honouring of women and men who do sex work, whether by choice or through lack of it. A thank you to the queers and transfolk of colour who fought for freedom during Stonewall. A praise song to Black people’s survival despite, oh, everything.

It’s really refreshing to hear about something outside the box of typical fantasy. Do you feel like genre fiction is beginning to move away from the Eurocentric, male point of view?

NH: I don’t. And it needn’t. I lurves me some Neil Gaiman, some China Mieville, some Ian Macdonald. Orson Scott Card should by all means keep writing fiction about smart, misunderstood white boys. He writes them well. (Though I fervently wish he would stop writing irrational and inaccurate hate screeds against queer folk. It’s both bad science and a poor way to profess love for one’s neighbour.) I don’t want fewer white, male voices in the genre. I do want more centrisms, greater inclusion, a larger world view. Fantasy and science fiction are full of good stories. I want more.

Another book of yours coming out on ebook via Open Road is Skin Folk. What are some of your personal favorite short stories from this collection?

NH: You know how many parents don’t like to tell you which is their favourite amongst their children? That’s how I feel about my stories.

Hah, fair enough! What are you working on these days?

NH: Working on a new novel that my agent is currently shopping around. Collaborating on a short story with Nisi Shawl. If all goes well, it’ll appear in a tribute anthology for Samuel R. Delany. Making Black mermaids, boudoir and fantasy dolls in various media: stuffed and painted fabric; plaster; and fabric design. Trying to perfect my skills at macaron-making and baking gluten-free bread. Teaching Creative Writing at the University of California Riverside, which has perhaps the most lovable student body in the world.

Where can people follow you online?

NH: I’m most frequently on Twitter, where my handle is nalo_hopkinson. My website is nalohopkinson.com.

S&L Podcast – #205 – Brian McClellan Grows His Own Spaghetti Sauce

When you rule the world of powder mages you can do what you want. Brian McClellan wields his powder for good. In addition to delivering us the complete Powder Mage trilogy with the third book The Autumn Republic, Brian is going to bring us a second trilogy in the same universe, all while growing his own spaghetti sauce and keeping bees. Impressive. Most impressive.

Download direct link!

Brian’s Patreon

Excerpt of DARK SUN, BRIGHT MOON and Giveaway!

Looking for something a little different to add to your To-Read list? Click through to read an excerpt of the book, and to find out how you can win a copy!

“Dark Sun, Bright Moon describes people isolated in the Andes, without the least notion of outsiders. They evolve an understanding of the universe that is complementary to our own but a great deal wider. The book explores events of a thousand years ago, events which fit with what we know of the region’s history,” says author Oliver Sparrow.

In the Andes of a thousand years ago, the Huari empire is sick. Its communities are being eaten from within by a plague, a contagion that is not of the body but of something far deeper, a plague that has taken their collective spirit. Rooting out this parasite is a task that is laid upon Q’ilyasisa, a young woman from an obscure little village on the forgotten borders of the Huari empire.

This impossible mission is imposed on her by a vast mind, a sentience that has ambitions to shape all human life. Her response to this entails confrontations on sacrificial pyramids, long journeys through the Amazonian jungle and the establishment of not just one but two new empires. Her legacy shapes future Andean civilization for the next four hundred years, until the arrival of the Spanish.

Dark Sun, Bright Moon takes the reader on a fascinating adventure that includes human sacrifice, communities eaten from within, a vast mind blazing under the mud of Lake Titicaca, and the rise and fall of empires cruel and kind.

Chapter 1: A Small Sacrifice at Pachacamac

A priest knelt before her, a feather from his head-dress tickling her face. His musky odour of old incense and stale blood was rank, even here on the windy summit of the pyramid. Four other priests held her body tipped slightly forwards, and the pressure that this put on her tired old joints hurt far more than the fine, cold bite of the knife at her neck. Quick blood ran thick down her chin and splashed into the waiting bowl. Then the flow weakened, the strength went out of her and she died, content.

Seven elderly pilgrims had set out for Pachacamac, following their familiar river down to the coast and then trudging North through the desert sands. Two of the very oldest of them needed to be carried in litters, but most were able to walk with no more than a stick to help them in the sand. Lesser members of the community had been delegated to carry what was necessary. These would return home. The elderly would not.

The better-regarded families of the town were expected to die as was proper, sacrificed at the Pachacamac shrine for the betterment of the community. Such was to be their last contribution of ayni, of the reciprocity that assured communal harmony and health. It was also their guarantee of a smooth return to the community’s soul, to the deep, impersonal structure from which they had sprung at birth.

The Pachacamac complex appeared to them quite suddenly from amongst the coastal dunes. They paused to marvel at its mountain range of pyramids, its teeming myriad of ancient and holy shrines.

Over the millennia, one particular pyramid had come to process all of the pilgrims who came from their valley. They were duly welcomed, and guards resplendent in bronze and shining leather took them safely to its precinct.

They had been expected. The priests were kind, welcoming them with food and drink, helping the infirm, leading them all by easy stages up to the second-but-last tier in their great, ancient pyramid. The full extent of the meandering ancient shrine unveiled itself like a revelation as they climbed. Then, as whatever had been mixed with their meal took its effect, they were wrapped up snug in blankets and set to doze in the late evening sun, propped together against the warm, rough walls of the mud-brick pyramid. Their dreams were vivid, extraordinary, full of weight and meaning.

The group was woken before dawn, all of them muzzily happy, shriven of all their past cares, benignly numb. Reassuring priests helped them gently up the stairs to the very top tier. In the predawn light, the stepped pyramids of Pachacamac stood sacred and aloof in an ocean of mist.

Each pilgrim approached their death with confidence. A quick little discomfort would take them back to the very heart of the community from which they had been born. They had been separated from it by the act of birth, each sudden individual scattered about like little seed potatoes. Now, ripe and fruitful, they were about to return home, safely gathered back into the community store. It was to be a completion, a circle fully joined. Hundreds of conch horns brayed out across Pachacamac as the dawn sun glittered over the distant mountains. Seven elderly lives drained silently away as the mist below turned pink.

To win a copy of this book, leave a comment with your first impressions! A winner will be chosen at random and notified via email.

Dark Sun, Bright Moon

By Oliver Sparrow

S&L Podcast – #204 – Annihilation is Not the End

Veronica REALLY wanted to make the title of this episode “Tom Merritt is a sexist pig.” But Tom doesn’t need that kind of grief. And besides he has promised to read even more female SciFi/Fantasy authors going forward. But if you want to hear Veronica giggle at the notion– as well as defend our book pick, Annihilation by Jeff VanderMeer, and wax eloquent about the need for varied perspectives in literature– then fire up this episode!

Download link here!

WHAT ARE WE DRINKING?    
Tom: Boddington’s Pub Ale    
Veronica: Some kind of white wine    
    
QUICK BURNS
    
Nominate Your Favorite Works And People For The 2015 Hugo Awards
    
Nokomis.FL noted “George RR Martin’s The Winds of Winter: no plans for publication in 2015 ” Trike wasn’t sure this was really news and Robert wrote: “given that ‘Winds of Winter’ won’t be published in 2015, it’s almost certain that the TV show will finish before the books are published. “
    
Michele and Dara: 
 “J. Michael Straczynski Will Adapt Kim Stanley Robinson’s Red Mars for Spike TV“”  
    
Dara: More books into tv series! Endemol studios has acquired the rights to Lauren Beuke’s Broken Monsters    
    
“Ben:  After their popular special issues and Kickstarter campaign last year Women destroy Science Fiction (and fantasy and horror too) – Lightspeed are doing a similar thing with Queers Destroy…. Which can be backed on Kickstarter at the moment.
    
Robyn:  I’m late to the game (and apologies if this has been mentioned before), but I just realised that The Guardian is doing a monthly round-up of SFF – January’s is here. Fun way to find out about new books.    
    
Also take a look at John DeNardo’s SF Signal’s 100 Science Fiction and Fantasy and Horror Books to Look Forward to in 2015 (Part 2)    
    
BARE YOUR SWORD
    
Louie: Who are your top 5 most read authors?    
    
Tom:        

1-Philip K. Dick        30
2-William Shakespeare        18
3-Stephen King        14
4-Evelyn Waugh        11
4-Douglas Adams        11
4-Neal Stephenson        11
7-Hunter S. Thompson        10
8-Frank Herbert        9
8-Douglas Coupland        9
    
Veronica:
1-Charlaine Harris        14
2- Laurie R. King        13
2-Robin Hobb        13
4-Tad Williams        12
4-Jim Butcher        12
6-Orson Scott Card        9
7-Jacqueline Carey        7
7-Gail Carriger        7
7-Kevin Hearne        7
7-J.K. Rowling        7″    
    
A Rant about a Particular Aspect of eBooks    

BOOK OF THE MONTH DISCUSSION    
    
Annihilation by Jeff VanderMeer     
Jeff VanderMeer – Wikipedia, the free encyclopedia    
Annihilation review – ‘You’ll find yourself afraid to turn the page’ | Books | The Guardian    
Finally, a novel about weird science that’s genuinely weird     

ADDENDUMS    
    
Support our show on Patreon    
    
You can also support the show by buying books through our links! Find links to the books we talk about and some of our favorites at swordandlaser.com/picks    
    

Annihilation: A Novel (The Southern Reach Trilogy)

By Jeff VanderMeer

A love letter to Borderlands Books, but not a goodbye

This is a post by Veronica Belmont, reprinted from the Sword and Laser website

The first time I saw Borderlands was a month or so after I had moved to San Francisco in 2004. I remember walking down Valencia Street and ogling all the stores I could not yet afford to shop in (moving to an expensive city with no job straight out of college will do that to a girl). I was probably with one of the gals I had moved out with, who couldn’t comprehend my excitement at finding a store completely devoted to science fiction and fantasy. 

It was perfect. It was as though it had sprung fully-formed from within the deepest reaches of my nerdy brain. Rows and rows of books. All my favorite authors, and many more that I didn’t even know I loved yet. Dark wood. That delicious book smell. A small, completely hairless cat named Ripley.

Here I am nervously getting my book signed by Robin Hobb at Borderlands

Here I am nervously getting my book signed by Robin Hobb at Borderlands

Throughout the years I came as much as I could, though I never became the regular I wanted to be. I wanted it to be my Cheers. That place I could go where everyone would know my name and ask me how I liked the most recent Tad Williams or Robin Hobb. In fact, I met Robin there during a book signing, and it was the most nervous I had ever been speaking with another human being in memory. She was wonderful, of course.

But I didn’t go enough. Even now, after S&L has been meeting there monthly for our book club, and even after I’ve been back many, countless times for signings or just to browse the latest releases, I don’t know if they’d even know me or know how much that store has meant.

Borderlands is closing. This physical lynchpin of my obsession for SFF is going away, and I don’t know if we can save it. San Francisco is expensive enough as it is, but a recent minimum wage increase (which I voted for…) is their real undoing. Not to mention the on-going stress of being a small, niche bookstore in a town obsessed with the digital. There’s going to be a meeting next month at the store to discuss options, and I definitely plan on being there.

Mostly, I just needed to write this to vent. I’m sad, and I’m angry, and I regret not doing more. Alan and Jude have worked so hard to keep this beautiful store open for so many years, and so many wonderful authors have come through its doors. 

Thank you, Borderlands, for being that place for us. But we’re not ready to say goodbye just yet!

Sword & Laser meet-up and anthology reading January 2014

Sword & Laser meet-up and anthology reading January 2014

FEATURED REVIEW: Ancillary Sword by Ann Leckie

Welcome to our Featured Reviews! In this series, we’ll be highlighting book reviews by the S&L audience. If you want to submit a review, please check out the guidelines here! -Veronica

Review by Daniel Eavenson



Ancillary Sword (Imperial Radch Book 2)

By Ann Leckie

I’ve read the first part of the Imperial Radch series, Ancillary Justice, which I enjoyed very much.  It was an excellent introduction to a new world of science fiction, and an interesting arc for a series where an empire would wage a secret war against itself.  Therefore, I went into this second entry with a set of expectations about the content of this novel.  Expectations that were thoroughly thwarted by the author writing something else.

I had expected more intrigue and action.  More surprises and technological horrors that raged through the last third of Ancillary Justice.  I guess I had forgotten the first two thirds of quiet introspection and excellent world building that had proceeded all that fun. Instead, Ancillary Sword takes us to new places, but they are small intimate locations that hold none of the galactic level chess game that the end of the first novel had primed me for.

Ancillary Sword follows the same main character as Ancillary Justice.  The cybernetic former ship AI turned revenge driven walking corpse Breq takes command of a new ship at the behest of the emperor of the titular Radch.  Instead of pursuing the secret war raging at the heart of the empire, Breq decides that personal matters must be seen to, and travels to Athoek station, where the only living relative of his beloved Lieutenant Awn works as a Horticulturalist.

This is an extremely personal story for Breq.  The character is trying to come to grips with a new position while also dealing with the ongoing degradation of the empire due to the secret war.  On Athoek station this is mostly through the examination of class.

Of course, this being a continuation of the themes of Ancillary Justice, class is explored through an additional layer of what it means to be human.  Are you still a worthwhile being if you have been ordered and cataloged by the society around you?  Are you even human if you don’t speak the language of civilization?  This of course all being explored by someone who is decidedly not human.  An AI walking around in a stolen body.  It’s the best quality of the series and Leckie doesn’t let us down with her continued examination of our own society through the lens of the one she created.  The strength of her vision is evident through every carefully chosen word of the novel, continuing the thought provoking work she started in Ancillary Justice.

Even her “trick” of avoiding the naming of characters specific gender is continued here and used to great effect. The true genius of it is that you grow to simply not care who has what set of genes in their pants.  The trick is not to leave you guessing, but to reach the point where you stop guessing, because it just doesn’t matter.  Her other themes are done with the same deft hand, not getting in the way of the story, but always there and available to be found without a lot of guessing and pretentious philosophizing. It’s one of my favorite points of the series is that Leckie doesn’t just ask these questions but shows us the path her created empire takes when it tries to answer basic questions about who is human and what it takes to be human.

As impressed as I was by the quality of the writing I still felt that there were missed opportunities by staying with the small personal stories of Athoek station and not going out into the deep problems of the war inside the Imperial Radch.  I would probably have less concerns if the ideas and concerns of the war weren’t constantly being brought up in the story.  If I could have just been left to live in Athoek station I might have come to terms with the breaking of my expectations.  The story, though, constantly takes me back to all of the galactic level problems that Breq is actively avoiding and risking by going to Athoek to deal with his own personal issues.  Issues that I ultimately just found less interesting the possibilities that existed out in the warring universe that Leckie had crafted for us.

This is still an excellent extremely recommendable book, but it loses a star for me for breaking my expectations and then reminding me over and over about how broken they were.  3 out of 5. (Honestly 3.5 but goodreads don’t got half numbers 🙁 )